Orange Bay is located in a beautiful lagoon At The National park of Big Giftun island covering over 7,000 square meters and has been operating since 2011, just a 40 minute boat ride from Hurghada. It offers guests a stunning natural bay surrounded by unspoiled coral reefs adorned with impressive marine life species. The shallow crystal clear turquoise sea stretches for almost a 1.5 KM has a maximum depth of 5m which makes it an ideal and ultra-safe location suitable for families with children natural pool. Impressive golden sands await you with decked out areas, wooden shaded spots , bean bags, wooden cabanas plus much more to make you stay with us a relaxing and an unforgettable experience.

Experience an exciting 7-hour desert safari from Hurghada. Enjoy the fast-paced ride across the desert on a quad bike and dune buggy. Visit a Bedouin village and enjoy a traditional Arabic evening with a delicious barbecue and a fantastic show.

Experience a full-body Hammam body peel and a 45-minute massage at a tranquil spa during your stay in Hurghada. Make use of the steam room and sauna as you are attended to by professional staff. Benefit from transfers to and from your accommodation.

The pyramids of Giza and the Great Sphinx are among the most popular touristic destinations in the world, and indeed already were even in Roman times. Each of these spectacular structures served as the final resting place of a king of the 4th Dynasty (c.2613–2494 BC). The Great Pyramid of Giza was built for king Khufu (c.2589–2566 BC), and the other two for Khafre and Menkaure, his son and grandson. Khufu’s pyramid is both the oldest and largest of the three, and the first building to exceed it in height would not be built for another 3,800 years! Although the three pyramids dominate the plateau, they are in fact surrounded by many other monuments. Every king’s pyramid was just one element—albeit the most important—of a larger complex that included smaller, subsidiary, queens’ pyramids; an additional one that acted as a second, symbolic, tomb for the king, called a satellite pyramid; mastaba tombs for nobility and other family members; burials of actual and/or symbolic boats; and a pair of temples linked by a richly decorated causeway. One of these temples, called the valley temple, led into the pyramid complex, and was located on or near a body of water where boats could dock. The other, the funerary (or upper) temple, stood near the base of the pyramid. Priests maintained the mortuary cult of the deceased king in these temples, where his divine aspect was worshipped, and where rich and diverse offerings were presented to his soul so he could have a peaceful and luxurious afterlife.

The Great Sphinx of Giza is a limestone statue of a reclining sphinx, a mythical creature with the head of a human, and the body of a lion.Facing directly from west to east, it stands on the Giza Plateau on the west bank of the Nile in Giza, Egypt. The face of the Sphinx appears to represent the pharaoh Khafre. The original shape of the Sphinx was cut from the bedrock, and has since been restored with layers of limestone blocks. It measures 73 m (240 ft) long from paw to tail, 20 m (66 ft) high from the base to the top of the head and 19 m (62 ft) wide at its rear haunches. It is uncertain why the Sphinx’s nose was broken off. According to a popular myth, the Sphinx’s nose was broken by cannonballs fired by Napoleon Bonaparte’s army during one of the battles of the French campaign in Egypt in 1798. However, this is refuted by several sources predating the birth of Napoleon. Not only are there paintings from the 17th century which depict the Sphinx in this way but the 15th century Arab historian al-Maqrīzī also acknowledged its broken nose, attributing it to a Sufi Muslim extremist called Mohamed Sa'm al-Dahr who he claimed broke it in 1378 and was later executed for vandalism. However, this is also unlikely to be the case as an archaeological study performed by Mark Lehner concluded that although the Sphinx’s nose was intentionally broken, as opposed to being damaged by weather and corrosion, it happened sometime between the 3rd and 10th centuries. The Sphinx is the oldest known monumental sculpture in Egypt and one of the most recognizable statues in the world. The archaeological evidence suggests that it was created by ancient Egyptians of the Old Kingdom during the reign of Khafre (c. 2558–2532 BC)

The Egyptian Museum is the oldest archaeological museum in the Middle East, and houses the largest collection of Pharaonic antiquities in the world. The museum displays an extensive collection spanning from the Predynastic Period to the Greco-Roman Era. The architect of the building was selected through an international competition in 1895, which was the first of its kind, and was won by the French architect, Marcel Dourgnon. The museum was inaugurated in 1902 by Khedive Abbas Helmy II, and has become a historic landmark in downtown Cairo, and home to some of the world’s most magnificent ancient masterpieces. Among the museum’s unrivaled collection are the complete burials of Yuya and Thuya, Psusennes I and the treasures of Tanis, and the Narmer Palette commemorating the unification of Upper and Lower Egypt under one king, which is also among the museum’s invaluable artifacts. The museum also houses the splendid statues of the great kings Khufu, Khafre, and Menkaure, the builders of the pyramids at the Giza plateau. An extensive collection of papyri, sarcophagi and jewelry, among other objects, completes this uniquely expansive museum.

Al-Mu’izz Street is named after the Fatimid Caliph, al-Mu’izz li-Din Allah (341–365 AH / 953–975 AD), who first founded this street. Today, it is the largest open-air museum for Islamic monuments in the world, and a unique heritage site that was added to The UNESCO World Heritage List in 1979. The street has borne many names over the centuries, and came to be known as al-Mu’izz only in 1937. The historical street stretches between two of the gates of Cairo’s old city walls, from Bab al-Futuh in the north to Bab Zuwayla in the south, passing along many of the significant and uniquely preserved ancient alleys and streets, such as Amir al-Juyush Street, Darb al-Asfar and Bergowan Alley, Khan al-Khalili and al-Ghuriyya. Twenty-nine monuments dotting the length of al-Mu’izz allow visitors to experience Islamic Egypt from the 10th to 19th centuries, starting from the Fatimid Period (297–567 AH / 969–1171AD) to the Muhammad Ali Dynasty (1220–1372 AH / 1805–1953 AD). These monuments include buildings of various types, such as those that had a religious, commercial, or defensive function. Today, markets, vendors, and local crafts stores line the length of al-Mu’izz, adding to the charm of this historic street.

Karnak was in reality a complex of temples. The enclosure walls include a full temple to Khonsu in the south-western corner, next to which is the Opet temple, which was built in the Graeco-Roman Period for Opet, a hippopotamus goddess of childbirth. The beautiful sacred lake, where priests purified themselves before carrying out temple rituals, can still be appreciated today. Many more, smaller, temples and chapels dot the landscape of Karnak, making it a veritable open-air museum. In addition to the ancient Egyptians’ mastery of stone, which is evident everywhere in the scale of the monuments, the reliefs covering their walls, and the statues populating them, several highlights are worth mentioning. The world-famous Great Hypostyle Hall is a forest of 134 columns. These massive columns have a height of 15 meters, aside from the larger, central, twelve, which stand 21 meters tall. The hall may have been begun by Amenhotep III (c.1390–1352 BC; Eighteenth Dynasty), but the decoration is from the reigns of Nineteenth Dynasty kings Sety I (c.1294–1279 BC) and his son Ramesses II (c.1279–1213 BC). A magnificent obelisk of Hatshepsut (c.1473–1458 BC) in a nearby hall stands at a colossal height of nearly 30 meters. At the eastern end of Karnak is the Akhmenu, a temple by Thutmose III (c.1479–1425 BC) dedicated to the cults of various deities, his royal predecessors, as well as his own cult.

The rulers of the Eighteenth, Nineteenth, and Twentieth Dynasties of Egypt’s prosperous New Kingdom (c.1550–1069 BC) were buried in a desolate dry river valley across the river from the ancient city of Thebes (modern Luxor), hence its modern name of the Valley of the Kings. This moniker is not entirely accurate, however, since some members of the royal family aside from the king were buried here as well, as were a few non-royal, albeit very high-ranking, individuals. The Valley of the Kings is divided into the East and West Valleys. The eastern is by far the more iconic of the two, as the western valley contains only a handful of tombs. In all, the Valley of the Kings includes over sixty tombs and an additional twenty unfinished ones that are little more than pits.

Hatshepsut (c.1473–1458 BC), the queen who became Pharaoh, built a magnificent temple at Deir al-Bahari, on the west back of Luxor. It lies directly across the Nile from Karnak Temple, the main sanctuary of the god Amun. Hatshepsut’s temple, Djeser-djeseru “the Holy of Holies” was designed by the chief steward of Amun, Senenmut. The temple consists of three levels each of which has a colonnade at its far end. On the uppermost level, an open courtyard lies just beyond the portico. Mummiform statues of Hatshepsut as Osiris, the god of the dead, lean against its pillars. The temple’s walls are covered with beautiful painted reliefs depicting temple rituals, religious festivals, and even the transportation of obelisks from the quarry to their destination in Karnak Temple. Perhaps most interesting are the reliefs in the portico on the so-called Middle Platform. The decorative programme on the left side depicts Hatshepsut’s expedition to Punt, believed to be located near modern Eritrea. The inhabitants of this land, their dwellings, and surrounding environment are vividly recorded, as are the riches and exotic animals that the Egyptians brought back with them. On the other side of the portico, Hatshepsut relates how she is the rightful king of Egypt. She does this not only by claiming that her father Thutmose I had designated her as his heir, but by stating that her true father was none other than the god Amun himself.

The Colossi of Memnon are two massive stone statues of the Pharaoh Amenhotep III, which stand at the front of the ruined Mortuary Temple of Amenhotep III, the largest temple in the Theban Necropolis. They have stood since 1350 BC, and were well known to ancient Greeks and Romans, as well as early modern travelers and Egyptologists.The statues contain 107 Roman-era inscriptions in Greek and Latin, dated to between AD 20 and 250; many of these inscriptions on the northernmost statue make reference to the Greek mythological king Memnon, whom the statue was then – erroneously – thought to represent.

Most Luxurious part of your holiday is the accommodation in one of the finest Nile Cruises sailing between 5 cities ( Luxor, Esna, Edfu, Com Ombo, Asswan ) with a unique visit stop in every city . Full board accommodation with free English tea with every meal. Enjoy a swimming pool, parties, and a fantastic Nile Valley view. We promise you with a none forgettable experience. Exact cruise name will be announced upon reservation based on the guest comfort.

The Temple of Horus at Edfu is widely considered to be the most impressive of all of the Nile-side temples along the journey between Luxor and Aswan. It is a required stop by all of the cruise ships that make the trip, also stopping at Esna and Kom Ombo. Like at Esna, the temple at Edfu is a late construction. It was built during the Greco-Roman Period, but the builders painstakingly preserved the form of Egypt’s true pharaohs. As a result, a visit to Edfu allows you to see what all of the other ruined temples around Egypt might have looked like had they been built 2000 years later. The Temple of Horus is located in the center of the town of Edfu. By the 19th century, the village extended into the temple with some houses actually standing on the roof of the sand-filled temple. Now the buildings have been cleared away, but the excavation is still very evident since the surrounding buildings look down into the temple complex, which is several meters below the modern ground level. The temple is very complete, including a pylon that was built by Cleopatra’s father in the first century BC, which leads into a peristyle court and then a hypostyle hall that precedes the sanctuary of Horus, the ultimate and most important part of the temple. All of this replicates the standard layout of a New Kingdom pylon temple, the ruins of which can be seen at many other sights around Luxor and along the Nile Valley. The Temple of Horus at Edfu is by far the most complete example of this architectural style.

Along with Esna and Edfu, Kom Ombo is the third major stop that most of the Nile cruises between Luxor and Aswan make on their journey. Located only 30 miles north of Aswan. however, The setting of this Temple of Sobek, the crocodile god, makes an approach by water the far superior way to visit this site. The temple is perched atop a picturesque bluff alongside the river and while there are no longer any crocodiles in the river or in the sacred lake inside the temple complex, this riverside temple is still worthy of a visit. Like the other two sites between Luxor and Aswan, Kom Ombo dates from the Ptolomaic Dynasty and it was only completed under Roman rule. The temple has a dual dedicatation to Sobek, as well as Horus, and the plan of the temple reflects this dual purpose. It is a symmetrical mirror of itself along its main axis with one half devoted to each of the two gods it honors. Like at Esna, the pylon entrance to the temples is no longer standing, leaving the hypostyle hall as the main feature that visitors see today. Also on the grounds of the temple is the Crocodile Museum, which has a display over crocodile mummies.

The monuments of Philae include many structures dating predominantly to the Ptolemaic Period (332–30 BC). The most prominent of these is a temple begun by Ptolemy II Philadelphus (285–246 BC), which he dedicated to Isis, the mother of Horus, the god of kingship. A scene in mammisi, or birth room, where the birth of Horus was celebrated, depicts Isis suckling her son Horus in the marshes. The temple of Isis was one of the last ancient Egyptian temples to remain active, as it continued to function until the reign of the Byzantine Emperor Justinian I (527–565 AD), who ordered the foreclosure of all pagan temples. It is here that a priest of Isis named Esmet-Akhom carved the very last dated hieroglyphic inscription, which dates to the late 4th century AD (394 AD). The temple was converted into a Christian church and many inscriptions were deliberately destroyed. Nearby, there also is a temple dedicated to Hathor built by Ptolemy VI Philometor (180–145 BC) and Augustus, the first emperor of Rome (30 BC–14 AD). The Kiosk of Trajan (98–117 AD), which used to front the temple complex of Philae, still stands strong, despite its roof having disappeared. Its regular arrangement of columns made it an aesthetic delight and was regularly described or depicted by travelers to the island. Isis is once again central to this cult, as the emperor is shown making offerings to her, her consort Osiris, and their son Horus. All these monuments were relocated from the original Philae island to the nearby island of Agilkia during the UNESCO Nubia Campaign in the 1960’s to rescue sites flooded by the construction of the Aswan High Dam.

When construction began on the High Dam in 1960, it was the most heralded part of President Gamal Abdel Nasser’s effort to develop Egypt for all Egyptians. While the dam is certainly not the largest in the world, it is an impressive engineering feat nonetheless, over 360 feet tall and 12,500 feet across. The dam was completed in 1971 and the huge reservoir behind it, named for President Nasser, finished filling in 1979. The project has always carried controversy with it. The construction displaced over 100,000 Nubian, whose civilization had called the banks of the Nile in southern Egypt and northern Sudan home for millennia, and the rising waters threatened a number of important ancient monuments and archeological sites. Despite this, the dam provides significant benefits to the people of Egypt. At the time of its construction, the High Dam was responsible for around 50 % of the electricity production in Egypt, providing electricity to most of Egypt’ villages for the first time. By regulating the flow of the river, the dam also increased the cultivatable land in Egypt by around 30% and allowed development in new areas that were previously inundated annually when the river flooded.

Deep down south in Egypt on the West Bank of the Nile, near the town of Aswan, are the foremost colorful and feel good villages of the whole country. The Nubian Villages are painted all told the colours of the rainbow. To begin farming round the Nile, the friendly Nubians moved from Sudan over 8000 years ago, which is why they need a darker skin tone. they need their own unique language that they never teach to an outsider.